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    <td width="286" height="13"><b><p align="left"><font face="Arial" size="3">Jennifer and
    Kevin McCoy</font></b></td>
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    <td width="99" height="90" valign="top"><p align="center"><a href="JMccoy.jpg"><font
    size="2" face="Arial"><img src="JMccoy2.jpg" border="0" width="100" height="68"></font></a></p>
    <p align="left"><font size="1" face="Arial"><i>www.frankenstein<em>.net</em></i></font><br>
    <font size="1" face="Arial">Website<br>
    Courtesy of the artist</font></td>
    <td width="286" valign="top">&nbsp;<p><font size="2" face="Arial">Jennifer McCoy was born in
    Sacramento, CA&nbsp; in 1968 and Kevin McCoy was born in Seattle, WA in 1967.&nbsp; They
    both came to New York City in 1996. They have shown at the Walker Art Center in
    Minneapolis, MN (solo show) (1999), at the Viper International Media Festival in Lucerne,
    Switzerland (1999), the 1999 Robert Flaherty Film Seminar in Durham, NC, the OK Center of
    Contemporary Art in Linz, Austria (1999) and at the Museum of Science and Industry in
    Manchester, England (1998)..</font></p>
    <p><font size="2" face="Arial">You may contact the artist at<br>
    <a href="mailto:mccoy_greaterny@hotmail.com">mccoy_greaterny@hotmail.com</a></font></td>
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    <td width="286" height="58"><font size="2">&nbsp;<p><font face="Arial">&quot;Jennifer and Kevin
    McCoy have been artistic collaborators since 1990. Together they have made a wide range of
    video, installation, new media and performance works dealing with the cultural
    manifestations of technology in the world. Formally these projects arise from an interest
    in the modular, language-like nature of digital information and its recombinant
    possibilities. These machine generated phrases and ideas often express the culture with
    more irony and truth than the unaided artistic vision.</font></p>
    <p><font face="Arial">Stemming from the tradition of the radio play, Radio Frankenstein
    creates digital literature and narrative grammatology for micro-watt radio transmitters.
    The radio transmission, consisting of a synthetic voice reading recombinant versions of
    the text from Mary Shelley's Frankenstein, lurches imperfectly toward meaning in the same
    way that the Frankenstein creature represents the imperfect simulation of life. Custom
    computer software attached to the transmitter treats the text as a database and searches
    for new and unexpected relationships.&quot;</font></p>
    </font><p>&nbsp;</p>
    <p><font size="2" face="Arial"><strong>Selected Bibliography</strong></font></p>
    <font size="2"><p><font face="Arial">Bosma, Josephine. &quot;Interview with Jennifer and
    Kevin McCoy,&quot; Minneapolis, MN:The Walker Art Center, 1999.</font></p>
    <p><font face="Arial">Broeckmann, Andreas. &quot;Tactical Media/Media Ecology,&quot;
    Rotterdam, The Netherlands: V2, 1996.</font></p>
    <p><font face="Arial">Stalder, Felix. &quot;Internet Retrograde: The Rise of
    Infomercials,&quot; Minneapolis, MN: The Walker Art Center, 1999.</font></p>
    <p><font face="Arial">.<strong>Links</strong></font></font><br>
    <a href="http://www.radiofrankenstein.net"><font size="2" face="Arial">www.radiofrankenstein.net</font></a></p>
    <p><font size="2" face="Arial"><strong>Excerpt from e-mail correspondence at <a
    href="mailto:mccoy_greaterny@hotmail.com">mccoy_greaterny@hotmail.com</a>. </strong></font></p>
    <p><font size="1" face="Arial">Went to PS1 this Sunday and was utterly enthralled, so many
    promethean voices still bouncing around my head...</font></p>
    <p><font size="1" face="Arial">I traced the museum walls without a clear conception of
    where I was going, knowing only that I alone was the pilot in my little sonic sphere as
    the noise dominated the signal one must supply much of the information from scant memory
    and murky intuition imaginative compensatory compulsory prosaic prosthetic and on the top
    floor, as Franky fades into static and a preacher man, anything toward a conclusion must
    come from the listener as much as from the transmitter---this is a real collaboration a
    sly and perfectly double-edged metaphor which speaks the historical anxiety of our
    machines speaking to us... and from its gurney no less!&nbsp; the perfect greater new york
    experience: me and my antena swatting my way through the jostling crowd, interfering but
    not interfered with. INTERFERENCE... what a mantra and when the wind began to bore me I
    tuned into WBAI for the latest on the Diallo march.</font></p>
    <p><font size="1" face="Arial">CONGRATULATIONS!<br>
    marty</font></p>
    <p><font size="2" face="Arial"><strong>Catalogue Essays from the Writing Project</strong></font></p>
    <p><a href="http://www.ps1.org/cut/java/essays/noyes.html"><font size="2" face="Arial">Nicholas
    Noyes</font></a></td>
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