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<title>Basicray</title>
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    <td COLSPAN="9" BGCOLOR="#000033"><p align="center">&nbsp;</p>
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        <td><p align="center"><strong><font face="Arial" color="#FFFFFF" size="4">Basicray<br>
        </font><a href="http://hikaru.thing.net" style="color: rgb(255,255,255)"><font
        face="Arial" color="#FFFFFF" size="3">hikaru.thing.net</font></a></strong></p>
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        <td><font face="Arial" size="2" color="#FFFFFF">With the development of information
        technologies, the question of interfacing content adequately becomes increasingly
        important. Human-machine interaction in interrelated information contexts fundamentally
        challenges semiotic orders, body politics and identity. <i>Hikaru</i> is a virtual
        broadcaster technology. <i>Hikaru</i> represents the emergence of new bio-electronic
        semiotics where machine languages are translated into human discourses by providing a
        hyper real human interface. <i>Hikaru</i> (&quot;pure light&quot; in Japanese) evolved
        from the tradition of simulation and animatronics in video games on one hand, on the other
        she is a synthesized broadcaster constructed from bits of and pieces of codes and
        algorithms. <i>Hikaru</i> is unique information being which lives in the world of data
        streams. More than a replication of a human broadcaster <i>Hikaru</i> currently has 6
        derivative bodies designed for various profiles of broadcasts in the spectrum from news to
        entertainment. The concept of synthesis, which <i>Hikaru</i> addresses in the ART AND
        SYNTHESIS SESSION, is based on the information on art events related to audio-visual
        synthesis deployed on the World Wide Web. Through crossing art and synthesis strings <i>Hikaru</i>
        will provide a living snapshot of politics of synthesis as represented in art and global
        cultural activities.</font><p><font face="Arial" size="2" color="#FFFFFF">Vladimir
        Muzhesky, New York <br>
        Chun-Chi Wang, Taipei<br>
        Voice prototype: Miho Mochizuki</font></td>
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