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        <td><p align="center"><font face="Arial" size="6">Carla Accardi<br>
        </font><font face="Arial" size="4"> <i>Triplice Tenda</i> </font></p>
        <p align="center"><font face="Arial" size="2">May 20 &#150; September 3, 2001<br>
        <i>Opening Reception Sunday, May 20, 12 &#150; 6:00pm</i></font></p>
        </b><p ALIGN="JUSTIFY"><font face="Arial" size="2">&nbsp;P.S.1 Contemporary Art Center
        presents the first U.S. solo exhibition of the work of Italian artist <b>Carla Accardi</b>
        (b. 1924). A primary artist of the post-war period in Europe, Accardi contributed to the
        forging of a new Italian culture by creating a personal style of abstract painting, and
        co-founding the Forma 1 movement in 1947. <i><b>Triplice Tenda</b></i> (1969) is a
        full-size circular tent of clear plastic marked in patterns of pale-pink paint. This work,
        one of the first artist&#146;s tents, brings evocations of nomadism and domesticity into
        the realm of sculpture. The presentation of this work brings to the fore one of the
        best-known older artists from the Italian post-war period, whose work continued to be
        influential through the 1960s. </font></p>
        <p ALIGN="JUSTIFY"><font face="Arial" size="2">Born in Sicily in 1924, Carla Accardi moved
        to Rome in 1945. In the late fifties, she exhibited in Paris and Turin. Her painting is
        joyful and colorful, focusing on organic growth and change. It is also strongly feminist
        in its investigation of the tent as a form in transition between the domestic sphere and
        the public sphere. Her first <i>Tenda</i>, made in 1965, is a small home-made tent of
        clear plastic on which painted marks seem to float. It incorporates the audience both into
        its image and its physical space. The <i>Tenda</i> may be an important precedent to many
        works that focus on domesticity and &#145;place&#146; rather than on an abstract notion of
        space. It is also one of the primary early artworks that involve the idea that
        architecture and experience can be nomadic or provisional. </font></p>
        <p><font face="Arial" size="2">This exhibition is organized by P.S.1 Senior Curator
        Carolyn Christov-Bakargiev and is made possible through the generous support of the Dena
        Foundation, Paris, The Italian Consulate, NY, and The Italian Cultural Institute.
        Additional thanks to the Castello di Rivoli, Turin. </font></td>
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