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        <td width="375"></b><p ALIGN="CENTER"><font face="Arial" size="5"><strong>Sunday, April 30</strong></font></p>
        <p ALIGN="CENTER"><font face="Arial" size="2">Celebrating New Installations; P.S.1 Special
        Projects Program, Spring 2000<br>
        &quot;Greater New York,&quot; The Print and CD-ROM Exhibition Catalogue</font></p>
        <p><font face="Arial" size="2">(Long Island City, NY, March 30, 2000). P.S.1 Contemporary
        Art Center announces a special event on Sunday, April 30th to celebrate the installation
        of works by <b>Rob Pruitt, Ricardo Ribenboim</b>, and <b>Luca Vitone</b>; new Special
        Projects by <b>Ethan Crenson,</b> <b>Alix Lambert </b>and<b> Jyung Mee Park</b>; as well
        as the arrival of the <i><b>Greater New York</b> </i>catalogue that accompanies the
        current exhibition occupying P.S.1&#146;s galleries. It will be an afternoon of art,
        performance, and not-to-be missed conversation, including yearbook-style signings of the
        catalog, discussions with the artists and countless ricocheting ping-pong balls. </font><b></p>
        <p><font face="Arial" size="2">Rob Pruitt</b> recycles pop culture as a constant source in
        his work. This spring he creates another recycled source: a working outdoor waterfall
        cascading down the steps of P.S.1. Installed in classical proportion to its site, <i>Evian
        Waterfall</i> is a &#145;minimalist&#146; sculpture fabricated with an eye to Roman
        monumentality and a wink to the contemporary obsession with healthy living. This project
        is made possible in part by EVIAN Natural Spring Water. Rob Pruitt lives and works in New
        York City. His work is also featured in the exhibition <i>Greater New York.</i></font><b></p>
        <p><font face="Arial" size="2">Ricardo Ribenboim</b> investigates the mathematically exact
        quality of organic forms. Through the use of computer aided design, he bridges the gap
        between technology and the natural world. Ribenboim&#146;s 15-foot wooden sculpture will
        snake through the spaces of P.S.1. Ricardo Ribenboim lives and works in Brazil.</font></p>
        <b><p><font face="Arial" size="2">Luca Vitone</b> explores the notion of &#145;place&#146;
        and its representation through personal and collective experiences. For P.S.1, Vitone has
        dug a 6&#146; x 6&#146; hole in the outdoor galleries, excavating the sounds of Long
        Island City. Sounds of pre-colonial Lenape Indian communities and 17th century European
        settlers emanate from &quot;Hole.&quot; Vitone has produced site-specific sound works from
        this series in France and in Italy, where he works and lives. &quot;Hole&quot; at P.S.1 is
        made possible by Fondazione Adriano Olivetti. Additional funding is provided by Galleria
        Emi Fontana and The Italian Cultural Institute.</font><b></p>
        <p><font face="Arial" size="2">P.S.1 Special Projects Program</b> April 30 &#150; June
        2000</font></p>
        <p><font face="Arial" size="2">The P.S.1 Special Projects Program showcases the work of
        artists distinguished by the site-specific, process-oriented or audience-oriented nature
        of their work. Each year, 12 artists have the opportunity to develop and present a newly
        created project. Throughout the program period, artists will be working with their studio
        doors open to the public, allowing for an opportunity of exchange between artist and
        audience. From April 30 to June 2000, P.S.1 will present Special Projects by <b>Ethan
        Crenson, Alix Lambert</b>, and<b> Jyung Mee Park</b>.</font></p>
        <p><font face="Arial" size="2">&nbsp;</font></p>
        <p><font face="Arial" size="2"><b>SPECIAL PROJECTS ARTISTS</b>: </font></p>
        <b><p><font face="Arial" size="2">Ethan Crenson</b> is the mastermind behind an explosive
        kinetic performance which will take place on April 30th. The performance <i>Addendum (to
        the video Fission)</i> will transform Crenson&#146;s special project room by way of
        hundreds of mousetraps and ping&#150;pong balls, in the tradition of 1940s science
        demonstrations.</font><b></p>
        <p><font face="Arial" size="2">Alix Lambert</b>&#146;s career and persona are inseparable.
        Her mediums are marriage, divorce, balding, the tattoo and other life events that shape us
        within society. Identity is the focus of her work at P.S.1 as well. <i>Ethel and Me</i> is
        a portrait of the artist alongside her doppelganger: her grandmother, Ethel, at the same
        age. Lambert&#146;s project room will change periodically as new works are created and
        installed. </font><b></p>
        <p><font face="Arial" size="2">Jyung Mee Park</b> has created an installation by layering
        hand-folded sheets of paper which mark the time and effort of the artist and her
        collaborators: a group of 400 students from 60 countries who attend the International High
        School in Queens. The piece is a communal nest, representing the elaborate process of
        building a new home in the United States. This project was funded by Creative Capital.</font></p>
        <i><p><b><font face="Arial" size="2">Greater New York: Catalogue/Dialogue</font></p>
        </b></i><p><font face="Arial" size="2">The <i><b>Greater New York</b></i> booklet and
        CD-ROM, an historic document of the first curatorial collaboration between MoMA and P.S.1,
        will be available on April 30. The launch will offer another opportunity to view the
        exhibition <i><b>Greater New York</b></i> before its closing on May 14. <i><b>Greater New
        York</b></i> was installed by Carolyn Christov-Bakargiev (Senior Curator), Klaus
        Biesenbach (Senior Curator), and Russell Haswell (Adjunct Curator) of P.S.1; and Deborah
        Wye (Chief Curator, Prints and Illustrated Books), Paulo Herkenhoff (Adjunct Curator,
        Painting and Sculpture) and Laura Hoptman (Assistant Curator, Drawings) of The Museum of
        Modern Art.</font></p>
        <b><i><p><font face="Arial" size="2">GREATER NEW YORK</i>, THE CATALOGUE</font></b></p>
        <p><font face="Arial" size="2">The <i><b>Greater New York</b></i> catalogue is comprised
        of a 2-part set. A forty-page booklet and CD-ROM include curatorial essays and
        installation shots as well as images, biographies and statements from every artist in <i><b>Greater
        New York</b></i>. As a special feature, the CD-ROM includes 2-minute clips of <i><b>Greater
        New York</b></i> video and audio pieces. Analytical and creative texts about works in the
        show are provided through the <i><b>Greater New York</b></i> Writing Project.</font><b></p>
        <p><font face="Arial" size="2">THE <i>GREATER NEW YORK</i> WRITING PROJECT</font></b></p>
        <p><font face="Arial" size="2">P.S.1 and MoMA invited New York writers to contribute
        creative and analytical writings on works in the exhibition. Essays were submitted on line
        and approximately 40 have been selected for publication on the CD-ROM. Throughout April,
        writers and artists have gathered in P.S.1&#146;s galleries to discuss their work with the
        public. April 30th will be the last in this series of gallery discussions.</font></td>
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