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    <td height="58" colspan="2" valign="middle"><p align="center"><i></i><i><font face="Arial" size="3"><b>Ernesto 
                      Caivano<br>
                      After the Woods: A Selection</b></font></i><b><font face="Arial" size="3">
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                    <div align="center">March 10, 2004 &#8211; September 20, 2004<br>
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    <td width="315" height="27" valign="top" colspan=2><p> (Long Island City, 
                      NY, March, 2004) &#8211; P.S.1 Contemporary Art Center presents 
                      a cycle of new drawings based on an ongoing story New York-based 
                      artist Ernesto Caivano (b. 1972, Madrid, Spain) has been 
                      developing titled <em>After the Woods</em>.<br>
                      <br>
                      In the narrative, the woods symbolize an alternative reality 
                      informed by folklore, fairytales and contemporary technology. 
                      The epic tale is centered on the reunion of a young man 
                      and woman after a separation of 1,000 years. During their 
                      time apart, the man becomes a knight and the woman transforms 
                      herself into a spaceship. While her metamorphosis represents 
                      the advancement of intelligence culminating in technological 
                      development, his transformation triggers the evolution and 
                      expansion of the natural landscape. All of the creatures, 
                      and the forest itself, grow and change with the pair, all 
                      learning how to reconcile their individual abilities to 
                      alter the environment. Each of his skillfully rendered drawings 
                      informs the others and all are subsumed by a coherent, total 
                      experience that is motivated by the imaginative narrative 
                      Caivano has constructed.<br>
                      <br>
                      For P.S.1, Caivano debuts a &#8220;selection&#8221; of new 
                      drawings from the chapters of <em>After the Woods:</em> 
                      Love of Philapores; Traps, Screens and Offerings; and Last 
                      Escape. The drawings depict various scenes of the knight, 
                      the princess, the landscape and struggling birds named &#8220;philapores&#8221; 
                      on whose feathers information and code is transferred between 
                      the separated couple. Thus, in order to reunify with his 
                      lost wife, the knight is obsessed with acquiring these magical 
                      feathers. The birds, incapable of conventional flight but 
                      able to traverse through dense matter; struggle to release 
                      the feathers from the bags and to decipher the code they 
                      carry. The philapores are ultimately after the same end 
                      as the characters and the inhabitants of the woods: the 
                      control and dispersion of information and the way it affects 
                      the land.<br>
                      <br>
                      Ernesto Caivano was born in Madrid, Spain and currently 
                      lives and works in New York. He has studied at The Cooper 
                      Union and Columbia University in New York. Selected recent 
                      group shows include <em>My Sources Say Yes</em> (2003), 
                      Guild and Greyshkul, New York; <em>Terrarium</em> (2003), 
                      Bronx River Art Center, Bronx, NY; <em>Druid Wood as a Superconductor</em> 
                      (2003), Brooklyn, NY; <em>Game Over</em> (2003), Grimm/Rosenfeld, 
                      Munich; <em>Group Show</em> (2003), curated by Clarissa 
                      Dalrymple, Grant/Selwyn Fine Art, Los Angeles, CA; <em>Shallow 
                      Interiors</em> (2002), Rivington Arms Gallery, New York. 
                      Upcoming exhibitions in 2004 include the Whitney Biennial 
                      at the Whitney Museum of American Art in New York and a 
                      solo show at Richard Heller Gallery in Los Angeles.<br>
                      <br>
                      This exhibition is curated by P.S.1 Assistant Curator Amy 
                      Smith Stewart. <em>After the Woods</em> is made possible 
                      by James Family Foundation.<font face="Arial" size="1"><br>
                      <br>
                      For more information, please contact Rachael Dorsey, P.S.1 
                      Press Office, at <a href="mailto:press@ps1.org">press@ps1.org</a></font> 
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