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        <td><p align="center"><font face="Arial" size="6">Los Carpinteros<br>
        </font><font face="Arial" size="3"><i>Ciudad Transportable </i>(Transportable City)</font></p>
        <p align="center"><font face="Arial" size="2">May 20 &#150; September 3, 2001<br>
        <i>Opening Reception Sunday, May 20, 12 &#150; 6:00pm</i></font></p>
        </b><p ALIGN="JUSTIFY"><font face="Arial" size="2">P.S.1 Contemporary Art Center is
        pleased to present <i><b>Ciudad Transportable</b></i> (Transportable City), an exhibition
        of portable tents made by Cuban artists&#146; collaborative <b>Los Carpinteros </b>(The
        Carpenters). Los Carpinteros are among the most innovative and internationally acclaimed
        Cuban contemporary artists. Working under a name suggestive of a craftsmans&#146; guild,
        Alexandre Arrechea (b. 1970), Dagoberto Rodriguez (b. 1969) and Marco Castillo (b. 1971)
        have been making art together since 1991 and coined their name in 1994. </font></p>
        <i><p ALIGN="JUSTIFY"><font face="Arial" size="2">Ciudad Transportable</i> is comprised of
        intriguing abstractions of well-known Cuban buildings (such as the state capital) and was
        first shown at the 7th Annual Havana Biennial in winter 2000-2001. Set against the
        spectacular Havana waterfront and skyline, the work drew considerable popular and critical
        attention, and Los Carpinteros were awarded the UNESCO Prize for Artistic Excellence, an
        honor they shared with four other artists. The jury included art critic Pierre Restany and
        P.S.1 Director Alanna Heiss, who also organized this exhibition. The work will tour to the
        Los Angeles County Museum of Art and the Sao Paolo Biennial later in the year.</font></p>
        <p ALIGN="JUSTIFY"><font face="Arial" size="2">Installed throughout three floors of
        galleries and in the outdoor courtyard, <i>Ciudad Transportable</i>, made up of ten tents
        of aluminum tubing and nylon canvas, explores the experience of living in urban space.
        Each element recalls the shape of a building: a lighthouse, a cathedral, a factory. Los
        Carpinteros use various materials and techniques that refer to human labor and traditional
        vocations, while these tents serve as metaphors for transience in contemporary urban life.
        In mid-June, works in the lobby and courtyard will be removed to accommodate upcoming
        exhibitions, while the installation on second floor will remain on view, further
        underscoring the nature of the &quot;movable city.&quot; Outside, the courtyard will be
        transformed for the summer months by Lindy Roy, a Manhattan-based architect and winner of
        the <b>Second Annual Museum of Modern Art/P.S.1 Young Architects Program</b>, a
        competition that invites emerging architects to build projects at P.S.1&#146;s Long Island
        City facility. </font></p>
        <p ALIGN="JUSTIFY"><font face="Arial" size="2">Los Carpinteros&#146; work is included in
        the permanent collections of The Museum of Modern Art, The Los Angeles County Museum of
        Art, the Museo Nacional Centro de Arte Reina Sofia in Madrid, the Ludwig Forum in Aachen,
        the Centro Cultural de Arte Contemporaneo in Mexico City, the Museo Meiac in Badajoz,
        Spain, and the Museo de Bellas Artes in Havana. They have exhibited in the 1994 Havana
        Biennial, the 1997 Johannesburg Biennial, at The New Museum of Contemporary Art and P.S.1
        Contemporary Art Center in 1998, and in <i>New Art from Cuba</i> at Whitechapel, London,
        in 1999.</font></p>
        <i><b><p ALIGN="JUSTIFY"><font face="Arial" size="2">Los Carpinteros: Ciudad Transportable
        </b></i>is made possible through the generous support of: The Contemporary Arts Council
        and The Junior Associates of The Museum of Modern Art; Angeliki Intzides; Mellville and
        Leila Straus; Kathleen Lingo; Barbara and Ira Sahlman; Carol Ann Schuster; Marazul
        Charters and Cuba Travel Services, Long Beach, CA. Special thanks to Rosa Lowinger.</font></td>
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