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        <td></b>&nbsp;<p align="center"><strong><font face="Arial" size="5">Luigi Ontani: 1965-2001 <br>
        </font><font face="Arial" size="4">GaneshamUSA</font></strong></p>
        <p align="center"><font face="Arial" size="2"><strong>March 11, 2001 &#150; May 6, 2001</strong></font></p>
        <p><font face="Arial" size="2">P.S.1 Contemporary Art Center presents the first U.S.
        retrospective of the work of Italian artist <b>Luigi Ontani</b> (b. 1943, Vergato, Italy),
        which includes works produced between 1965 and 2001. Curated by P.S.1 Senior Curator <b>Carolyn
        Christov-Bakargiev</b>, this exhibition showcases the career of an artist whose elaborate
        installations and <i>tableaux vivants</i> (living paintings) constitute a landmark in the
        history of performance art and photography. Ontani&#146;s use of his own body and persona,
        of costumes and masks, of references to folklore, art nouveau and exoticism, anticipates
        much current work that deals with shifting or fictional identities and neo-aestheticism.</font></p>
        <p><font face="Arial" size="2">Ontani has described his art as &quot;the adventure I live
        as a person of art.&quot; Throughout his career, he has used diverse objects, hand-colored
        photographs, papier maché, ceramic sculptures, slide projections and performances to
        explore fictional re-creation of identity and regression into childhood and memory. Using
        his own body as the medium for communication, Ontani appears reincarnated as his favorite
        heroes from mythology, fairytales, history and art history. Assuming their identities by
        way of costumes and poses, he morphs into these beings through performances, photographs,
        film and video, and drawings. As the subject of his art, Ontani can live art, create art,
        and express his love for art.</font></p>
        <p><font face="Arial" size="2">Although little known to the larger American art public,
        Ontani has been an important figure in Italy since the 1970s. He explored directions not
        undertaken by the slightly older generation of artists practicing in <i>arte povera</i>.
        His work was included in the exhibition <i>Transformer</i> (Kunsthalle, Lucerne, 1974). In
        the 1970s he performed at The Kitchen and exhibited at Sonnabend Gallery in Paris and in
        New York. Ontani&#146;s most recent solo exhibition was held at the Roman Aquarium
        (December 2000), where he exhibited <i>Ganeshamusa </i>(2000), a life-size ceramic
        elephant, along with a selection of photographs from his series <i>En route vers
        l&#146;Inde</i> (1976-2000). Echoes of Ontani&#146;s work can be found in the art of
        Francesco Clemente, and seems to have presaged the practice of such artists as Cindy
        Sherman, Jeff Koons and Yasumasa Morimura.</font></p>
        <p><font face="Arial" size="2">This exhibition is made possible through the generous
        support of the Italian Cultural Institute, New York and the Consulate General of Italy in
        New York. Major support has been provided by Rosa and Gilberto Sandretto. Additional
        funding is provided by Giulio di Gropello and Alice Bulgari. </font></p>
        <p><font face="Arial" size="2">Additional thanks to the Galleria Nazionale d&#146;Arte
        Moderna, Rome; the Galleria Civica d&#146;Arte Moderna e Contemporanea, Turin; and
        Tartaglia Fine Art.</font></p>
        <p><font face="Arial" size="2">The programs of P.S.1 Contemporary Art Center are made
        possible in part by the New York City Department of Cultural Affairs, The Office of the
        Borough President of Queens and The Council of the City of New York.</font></td>
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