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    <td height="58" colspan="2" valign="middle" width="600"><p align="center"><b><i><font face="Arial" size="4">Taryn
      Simon<br>
      </font><font face="Arial" size="3">The Innocents<br>
      </font></i><font face="Arial" size="3"><br>
      </font><font face="Arial" size="2">
    On view May 11, - August 31, 2003
      </font></b><p align="center">&nbsp;</td>
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        <p><font face="Arial" size="2"><span style="mso-bidi-font-size: 10.0pt">
        P.S.1
        Contemporary Art Center presents photographs and a documentary by Taryn
        Simon, whose body of work, titled <i style="mso-bidi-font-style:normal">The
        Innocents,</i> documents the stories of individuals across the country
        who served time for violent crimes they did not commit.<span style="mso-spacerun: yes">&nbsp;
        </span>These works question photography’s use as eyewitness account,
        acknowledging that unjust convictions often result from a victim’s
        response to photographs and lineups in law enforcement’s
        identification process.<o:p>
        </o:p>
        <o:p>
        </o:p>
        </span></font></p>
        <p><font face="Arial" size="2"><span style="mso-bidi-font-size: 10.0pt">In
        the summer of 2000, Simon was assigned by the <i style="mso-bidi-font-style:normal">New
        York Times Magazine</i> to photograph men who were wrongfully convicted,
        imprisoned, exonerated and subsequently freed from death row.<span style="mso-spacerun: yes">&nbsp;
        </span>This project inspired her to apply for and be awarded a John
        Simon Guggenheim Foundation Fellowship in Photography to travel across
        the United States photographing and interviewing individuals who were
        unfairly convicted.<span style="mso-spacerun:
yes">&nbsp; </span>The primary cause of these errors was mistaken
        identification.<span style="mso-spacerun: yes">&nbsp; </span>In the
        history of these cases, photography offered the criminal justice system
        a tool that transformed innocent citizens into criminals, assisted
        officers in obtaining eyewitness identification, and aided prosecutors
        in securing convictions. <o:p>
        </o:p>
        <o:p>
        </o:p>
        </span></font></p>
        <p><font face="Arial" size="2"><span style="mso-bidi-font-size: 10.0pt">Simon
        photographed these men at sites that had particular significance to
        their illegitimate conviction: the scene of misidentification, the scene
        of arrest, the scene of the crime or the scene of the alibi.<span style="mso-spacerun: yes">&nbsp;
        </span>All of these locations have been assigned contradictory meanings
        for the subjects.<span style="mso-spacerun: yes">&nbsp; </span>The scene
        of arrest marks the starting point of a reality based in fiction.<span style="mso-spacerun: yes">&nbsp;
        </span>The scene of the crime is at once arbitrary and crucial: this
        place, to which they have never been, changed their lives forever.<span style="mso-spacerun: yes">&nbsp;
        </span>In these photographs Simon confronts photography’s ability to
        blur truth and fiction—an ambiguity that can have severe, even lethal
        consequences.<o:p>
        </o:p>
        <o:p>
        </o:p>
        </span></font></p>
        <p><font face="Arial" size="2"><span style="mso-bidi-font-size: 10.0pt">Simon’s
        work will be published this spring by Umbrage Editions in a book titled <i style="mso-bidi-font-style:normal">The
        Innocents</i>.<span style="mso-spacerun: yes">&nbsp; </span>This book
        includes photographs and interviews by Simon as well as a foreword and
        case profiles by leading civil rights attorneys Peter Neufeld and Barry
        Scheck, who founded the Innocence Project ten years ago and are
        responsible for most of the postconviction DNA exonerations in the
        United States today.<o:p>
        </o:p>
        <o:p>
        </o:p>
        </span></font></p>
        <p><span style="mso-bidi-font-size: 10.0pt"><font face="Arial" size="2">Taryn
        Simon was born in 1975 in New York and is a graduate of Brown
        University.<span style="mso-spacerun: yes">&nbsp; </span>Simon’s
        photographs have been exhibited internationally and featured in several
        publications, including <i style="mso-bidi-font-style:normal">The New
        York Times Magazine</i>, <i style="mso-bidi-font-style:normal">Vanity
        Fair</i> and <i style="mso-bidi-font-style:normal">The New Yorker</i>.</font></span><font face="Arial" size="2"><span style="color: black; font-size: 11.0pt; mso-bidi-font-size: 10.0pt; font-family: Times New Roman"><o:p>
        &nbsp;
        </span></font></p>
        <p><font face="Arial" size="2"><i>Taryn Simon: The Innocents</i> is
        organized by P.S.1 Chief Curator Klaus Biesenbach and P.S.1 Exhibition
        Coordinator Amy Smith Stewart.</font></p>
        <p><span style="layout-grid-mode: line; mso-bidi-font-size: 10.0pt"><font face="Arial" size="1">For
        more information, please contact Rachael Dorsey, P.S.1 Press Office, at <a href="mailto:press@ps1.org">press@ps1.org</a></font></span><b><span style="layout-grid-mode: line; font-size: 10.5pt; mso-bidi-font-size: 10.0pt"><o:p>
        &nbsp;
        </span>
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