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        <td></b><i>&nbsp;<p><font face="Arial" size="4"><strong>Special Projects Program, Spring 2001</strong></font></i></p>
        <p align="center"><font face="Arial" size="2"><strong>March 11, 2001 &#150; May, 2001</strong></font></p>
        <p><font face="Arial" size="2">On March 11th, P.S.1 Contemporary Art Center presents
        Special Projects by <b>Pierre Giner</b>, <b>Judith Murray</b>, and <b>Ross Sinclair</b>.
        Continuing<i> </i>Projects include work by <b>Susan Black</b>, <b>Karin Campbell</b>, <b>Ivana
        Franke</b>, and <b>Andrew Mount</b>.<b> </b></font></p>
        <p><font face="Arial" size="2">The P.S.1 <i>Special Projects Program</i> showcases the
        work of artists distinguished by the site-specific, process-oriented or
        audience-interactive nature of their work. Each year, 12 artists have the opportunity to
        develop and present a newly created project. Throughout the program period, artists work
        with their studio doors open to the public, allowing for an opportunity of exchange
        between artist and audience. As a new aspect of the <i>Special Projects Program</i>,
        writers are welcomed to contribute their responses to the work. Selected submissions are
        published on P.S.1&#146;s website (www.ps1.org) and are made available to visitors on
        site.</font></p>
        <b><p><font face="Arial" size="2">Special Projects Artists: March &#150; May 2001</font></b></p>
        <p><font face="Arial" size="2"><strong>Pierre Gine</strong>r (b. 1966, France)<br>
        &quot;Dancing&quot; is a work that deals with the body and movement. This 3-channel video
        installation creates a space in which the intimate and the public sphere interact. Men and
        women, projected life-size and larger than life in a darkened room, stand, dance, and gaze
        at each other. Their movements and gestures involve the viewer in an ambiguous tri-part
        relationship within the exhibition space.<br>
        This project is organized in conjunction with the France Moves Festival.&nbsp; Please
        visit <a href="http://www.francemoves.com">www.francemoves.com</a> for more information.<br>
        <a href="../writers/index.html">Submit an essay on this artist!</a></font></p>
        <p><font face="Arial" size="2"><strong>Judith Murray</strong> (b. 1941, United States)<br>
        &quot;Toward a Supreme Fiction&quot;, whose title refers to the poem by famed American
        Modernist Wallace Stevens, is an exploration of modernist painting. Marked by a
        disciplined use of color (mostly red, yellow, black, and white), and with rhythmic and
        spontaneous strokes, Murray&#146;s canvases are infused with a vitality reflecting the
        energy and pace of nature. Abstraction becomes an instrument that allows Murray to explore
        her inspiration in the play between art and nature.<br>
        <a href="../writers/index.html">Submit an essay on this artist!</a></font></p>
        <p><font face="Arial" size="2"><strong>Ross Sinclair</strong> (b. 1966, Scotland) <br>
        Ross Sinclair presents &quot;The Sound of Young Scotland&quot;, a video which features the
        artist, naked to the waist, vigorously singing traditional Scottish songs in various
        bucolic settings in Scotland. Through these scenes, Sinclair reveals the constructed
        nature of nostalgia in the context of commercial advertising. He addresses how tourism
        exploits notions of the sublime by presenting it as product. Ross Sinclair lives and works
        in Scotland.<br>
        <a href="../writers/index.html">Submit an essay on this artist!</a></font></p>
        <b><p><font face="Arial" size="2">Susan Black </b>(b. 1964, United States)<br>
        Susan Black&#146;s videos depict landscapes minimally re-edited to incorporate personal
        experience and impressions. Sometimes, the artist turns an image upside-down, re-mixes
        music to compose a soundtrack, or manipulates color. In &quot;Heaven on Earth,&quot; she
        highlights the flawlessly landscaped neighborhood of the California retiree, with its
        perfect gardens and gravel paths neatly turned upside-down. Black&#146;s work is currently
        featured in the 7th Havana Biennial in Havana, Cuba (2000). <br>
        <b><a href="../writers/index.html">Submit an essay on this artist!</a></b></font></p>
        <b><p><font face="Arial" size="2">Karin Campbell</b> (b. 1962, San Diego) <br>
        Karin Campbell debuts her video &quot;Looped Tear,&quot; in which we see a tear rolling
        down Campbell&#146;s cheek into her ear and rolling back up, as if being replenished by
        the ear. As the tear travels between these two points of the body, the notion of gravity
        and bodily function becomes abstract. Campbell performs &quot;When I Close My
        Eyes&#133;&quot; in which she sits in conversation with visitors, images of eyes painted
        on her closed eyelids, on February 4<sup>th</sup> and March 11<sup>th</sup> at P.S.1.
        Karin Campbell lives and works in New York.<br>
        <a href="../writers/index.html">Submit an essay on this artist!</a></font></p>
        <b><p><font face="Arial" size="2">Ivana Franke </b>(b. 1973, Zabreb, Croatia)<br>
        Ivana Franke presents a site-specific installation that explores the stillness of space
        and the perception of material presence. Upon entering, visitors are enveloped by soft
        white light which barely makes visible the delicate physical elements suspended around
        them. Using such materials as paraffin, paper, threads, and fishing line, Franke invokes
        simple geometrical rhythms that decelerate the pace of the environment. Ivana Franke lives
        and works in Zagreb.<br>
        <a href="../writers/index.html">Submit an essay on this artist!</a></font></p>
        <b><p><font face="Arial" size="2">Andrew Mount </b>(b. 1969, Liverpool) <br>
        Andrew Mount addresses the codes and economy of art with his multimedia installation of
        sound, light, and material objects. Mount deconstructs the holistic notions of art by
        presenting a fractured experience of the spectacle. His use of raw unfinished materials
        references the inchoate stages leading to the materiality of art. Andrew Mount lives and
        works in New York.<br>
        <a href="../writers/index.html">Submit an essay on this artist!</a></font></p>
        <p><font face="Arial" size="2">P.S.1&#146;s <b>Special Projects Program</b> is made
        possible in part by the New York City Department of Cultural Affairs. The participation of
        Judith Murray and Ross Sinclair is made possible by the Jerome Foundation. Pierre
        Giner&#146;s project is made possible by Services Culturels de L&#146;Ambassade de France.
        Ivana Franke&#146;s project selected by Croatian curator Branko Franceschi was made
        possible through FACE Croatia, administered by Arts International, with funding from the
        Heathcote Art Foundation and the Trust for Mutual Understanding.</font></td>
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