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    <td><font color="#000000" face="Arial" size="4"><b>Public Programs and Related Events</b></font><font
    face="Arial" size="2"><br>
    <br>
    Programs in conjunction with <em>The Short Century</em> are presented in various locations
    around the city.&nbsp; Please be sure to note the location of each event.<br>
    <br>
    Information is also available at:<br>
    The Museum of Modern Art: <a href="http://www.moma.org">www.moma.org</a> (see the Film
    Programs and the Education Programs)<br>
    New York University - Africana Studies Program/Institute of African-American Affairs: <a
    href="http://www.nyu.edu/gsas/dept/africana/">www.nyu.edu/gsas/dept/africana/</a><br>
    The Studio Museum in Harlem: <a href="http://www.studiomuseuminharlem.org">www.studiomuseuminharlem.org</a><br>
    </font><p><font face="Arial" size="2"><em>Tuesday, February 12, 2002<br>
    6:30pm, free<br>
    Donnell Library, 20 W. 53rd St., Manhattan</em><br>
    <strong>Issues in Contemporary African Art</strong><br>
    Exhibition curator <strong>Okwui Enwezor</strong>, art historian <strong>Salah Hassan</strong>,
    artist <strong>Yinka Shonibare</strong>, and Ethiopan curator <strong>Meskerem Assegued</strong>
    discuss trends in contemporary African art.</font></p>
    <p><font face="Arial" size="2"><em>Saturday, February 23, 2002<br>
    3pm, free<br>
    P.S.1 Contemporary Art Center</em><br>
    <strong>The Short Century Music Series<br>
    Contemporary Musicians Respond</strong>: <strong>Val Jeanty</strong><br>
    On the occasion of the current exhibition on view at P.S.1, &quot;The Short Century:
    Independence and Liberation Movements in Africa, 1945-1994,&quot; a four-part series of
    musical performances takes place in the museum&#146;s café space. This series points to
    the ways in which contemporary musicians in New York are working with African song, sound
    structures, instruments, and traditions. Each performance represents a
    &quot;response&quot; to the exhibition: the exhibition&#146;s focus on contemporary
    African culture is extended to include a glimpse at what Africa means to emerging New York
    composers and musicians.<br>
    Experimental electronic musician <strong>Val Jeanty</strong> presents ambient Afro-Haitian
    percussion and live electronica..</font></p>
    <p><font face="Arial" size="2"><em>Thursday, March 7, 2002<br>
    7pm, free<br>
    New York University&#146;s Tishman Auditorium<br>
    40 Washington Square South, Manhattan</em><br>
    <strong>The Congo: a Witness to African History</strong><br>
    African writers, historians, and sociologists discuss issues relating to Pan-Africanism
    and the federation of African States, using the Congo's liberation movement as a starting
    point.<br>
    Panelists to date:<b> </b><strong>Guy Martin</strong>, visiting associate professor of
    Africana Studies, New York University and <strong>Elisabeth Mudimbe-Boyi</strong>,
    associate professor of French &amp; comparative literature, Stanford University. &nbsp;
    Additonal panelists to be announced.</font></p>
    <p><font face="Arial" size="2"><em>Friday, March 15, 2002<br>
    8pm, pay what you wish<br>
    Titus 1 Theater, The Museum of Modern Art</em><br>
    <em>11 West 53rd Street, Manhattan</em><br>
    <strong>Film in Africa</strong><br>
    MoMA Film Curator <strong>Laurence Kardish</strong> is joined by Tunisian filmmaker and
    critic <strong>Férid Boughedir</strong> and by Director and Founder of &quot;African
    Diaspora Images&quot; <strong>Pearl Bowser</strong> in a discussion on the trends in
    contemporary African film and a screening of Ousmane Sembène&#146;s first film,
    &#147;Boron Sarret.&#148; (1963, 20 min)</font></p>
    <p><font face="Arial" size="2"><em>Saturday, March 16, 2002<br>
    3pm, free<br>
    P.S.1 Contemporary Art Center</em><br>
    <strong>The Short Century Music Series<br>
    <a href="ligeti.html">Contemporary Musicians Respond: Lukas Ligeti and guests</a></strong><br>
    On the occasion of the current exhibition on view at P.S.1, &quot;The Short Century:
    Independence and Liberation Movements in Africa, 1945-1994,&quot; a four-part series of
    musical performances takes place in the museum&#146;s café space. This series points to
    the ways in which contemporary musicians in New York are working with African song, sound
    structures, instruments, and traditions. Each performance represents a
    &quot;response&quot; to the exhibition: the exhibition&#146;s focus on contemporary
    African culture is extended to include a glimpse at what Africa means to emerging New York
    composers and musicians.<br>
    <b>Abdoulaye Diabaté</b> (Buru Djoss): voice, guitar<br>
    <b>Lukas Ligeti</b>: electronic percussion<br>
    <b>Maï Lingani</b>: voice<br>
    <b>Dafna Naphtali</b>: voice, computer processing</font></p>
    <p><font face="Arial" size="2"><em>Thursday, March 21, 2002<br>
    7pm, free<br>
    New York University&#146;s Tishman Auditorium<br>
    40 Washington Square South, Manhattan</em><br>
    <strong>Africa, New York: a Discussion with Africans and African-Americans in New York</strong><br>
    Community leaders, artists, and academics discuss globalization trends and
    African/American relationships to New York City.<br>
    Panelists to date:<b> </b><strong>Rashidah Ismaili Abubakr</strong>, social activist, <strong>Sylviane
    Diouf</strong>, writer and historian, and <strong>Mamadou Niang</strong>, television
    journalist and writer. Additional panelists to be announced.</font></p>
    <p><font face="Arial" size="2"><em>Saturday, April 6, 2002<br>
    3pm, free<br>
    P.S.1 Contemporary Art Center</em><br>
    <strong>The Short Century Music Series<br>
    Contemporary Musicians Respond</strong>: <strong>DJ Mutamassik</strong><br>
    On the occasion of the current exhibition on view at P.S.1, &quot;The Short Century:
    Independence and Liberation Movements in Africa, 1945-1994,&quot; a four-part series of
    musical performances takes place in the museum&#146;s café space. This series points to
    the ways in which contemporary musicians in New York are working with African song, sound
    structures, instruments, and traditions. Each performance represents a
    &quot;response&quot; to the exhibition: the exhibition&#146;s focus on contemporary
    African culture is extended to include a glimpse at what Africa means to emerging New York
    composers and musicians.<br>
    <strong>DJ Mutamassik</strong> </font><font FACE="Arial,HELVETICA" SIZE="2">(meaning
    &quot;stronghold&quot; or &quot;tenacity&quot; in arabic)</font><font face="Arial"
    size="2"> joins traditional Egyptian and contemporary electronic sounds to create unique
    reconfigurations of African music. She is a </font><font FACE="Arial,HELVETICA" SIZE="2">producer
    and dj originating the Sa&#146;aidi Hardcore &amp; Baladi Breakbeats styles: Egyptian
    &amp; Afro-oriental Roots mixed with the head-nod of hip-hop &amp; the bass and
    syncopation of hardstep.&nbsp; She has played with artists such as Arto Lindsay; Butch
    Morris, Vernon Reid; Joan Osborne and&nbsp; performs widely in the United States, Europe,
    and Africa.&nbsp; Her debut solo album is scheduled to be released soon.</font></p>
    <p><font face="Arial" size="2"><em>Saturday, April 6, 2002<br>
    5pm - 9pm, free<br>
    P.S.1 Contemporary Art Center<br>
    </em><strong>Afro-Beat Dance Party with DJ Rich Medina</strong><br>
    Organized by Jump'n'Funk, this event brings the very popular monthly Afro-Beat party,
    which usually takes place at the Manhattan club SHINE, to P.S.1 for a celebration of
    African music within the context of <em>The Short Century</em>.&nbsp; The museum will stay
    open until 9pm, and drinks will be served.&nbsp; </font></p>
    <p><font face="Arial" size="2"><em>Saturday, April 27, 2002</em><br>
    <em>2-6pm</em>, free<br>
    <em>P.S.1 Contemporary Art Center</em><br>
    <strong><a href="masuku.html">Freedom Day Celebration: Dorothy Masuku</a><br>
    </strong>April 27th is South African Liberation Day, and this event marks the closing of
    the exhibition on May 5th and the last colony - South Africa -&nbsp; to acheive
    independence.<br>
    Co-organized with CrossPath Culture, this event features one of the most significant and
    popular musicians from Africa, Dorothy Masuku.&nbsp; Masuka was born in Zimbabwe but soon
    moved to South Africa, where she met and worked with Miriam Makeba during the 1950s.
    &nbsp; She released many top selling records and singles which brought her wide
    international recognition. <strong><br>
    DJ Fumi </strong>and drummer<strong> Djo Bi Irrie Simon </strong>will open the concert
    event<br>
    </font></p>
    <p><font face="Arial" size="2"><em>Saturday, May 4, 2002<br>
    7pm</em><br>
    <em>New York University&#146;s Tishman Auditorium<br>
    40 Washington Square South, Manhattan</em><br>
    <strong>Chinua Achebe</strong><br>
    The prominent Nigerian-born novelist Chinua Achebe discusses his work in the context of
    the history of African liberation.</font></p>
    <p align="center"><font face="Arial" size="2">*****</font></p>
    <p><font face="Arial" size="2"><strong>Related Exhibitions and Events at The Studio Museum
    in Harlem</strong></font></p>
    <p><font face="Arial" size="2"><em>The Studio Museum in Harlem, January 23 - March 31,
    2002</em><br>
    <strong>Yinka Shonibare</strong><br>
    The Studio Museum presents an installation of works by Yinka Shonibare, curated by Thelma
    Golden. Shonibare, who lives and works in London, grew up in Nigeria and the UK.
    Juxtaposing themes of colonialism and post-colonialism, he merges irony with the widely
    accepted stereotypes of 'high art' and 'low art' and the opposition between 'Britishness'
    and 'Africanness.' Shonibare's sculptures, installations, and photographs, employing
    African motifs integrated into Victorian scenes and western modes, are documents of
    paradoxes invoking an investigation of Black British experiences and the larger dialogue
    on the African disapora and its relationship to Africa. <br>
    <br>
    <strong>Africaine: Candice Breitz, Wangechi Mutu, Tracey Rose and Fatimah Tuggar</strong><br>
    Africaine, curated by Christine Y. Kim, presents a selection of works by four African
    artists living and working in the US and abroad. These photo-based works examine the
    presence and position of the African female body in popular European, American and global
    imagery. <br>
    <br>
    <em>Monday, February 11, 2002<br>
    7pm<br>
    The Studio Museum in Harlem</em><br>
    <strong>The Artist&#146;s Voice</strong><br>
    Yinka Shonibare discusses his work.<br>
    <br>
    Tuesday, March 19, 2002<br>
    <em>7pm<br>
    The Studio Museum in Harlem</em><br>
    <strong>The Artist&#146;s Voice</strong><br>
    Wangechi Mutu and Fatimah Tuggar discuss their work.<font color="#000000"><br>
    <br>
    <br>
    </font></font></td>
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