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    <p align="center"><font face="Arial" size="3"><b>John Duncan<br>
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    <p align="left"><font face="Arial" size="2">John Duncan was born in 1953 in Wichita,
    Kansas. He studied at CalArts with Allan Kaprow. He is widely recognized for his work in
    performance, music, and installations based on emotional responses to sensory deprivation
    and stimuli. His work has performed and shown at Ars Electronica, the Museum of
    Contemporary Art (MOCA), Los Angeles; the Osterreichisches Museum für Augewandte Kunst
    (MAK), Vienna; Museo de Arte Contemporano, Barcelona; and Museum of Tokyo (MOT). <br>
    <br>
    His 1996 projects THE CRACKLING, composed with Max Springer from field recordings made at
    the Stanford Linear Accelerator Center in California, and HOME: UNSPEAKABLE composed with
    Bernhard Günter, are considered by critics and composers alike to be landmarks in
    experimental sound. NAV, his audio project with Francisco Lopez, received a 1999 Prix Ars
    Electronica award for digital music.</font></p>
    <p align="left"><font face="Arial" size="2"><em>&#147;TAP INTERNAL<br>
    Outside going in<br>
    Inside going in<br>
    The machine is guided to tap itself<br>
    Seduce the listener&#148;</em></font></td>
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