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<title>John Hudak</title>
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    <p align="center"><font face="Arial" size="3"><b>John Hudak<br>
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    <p align="left"><font face="Arial" size="2">John Hudak was born in 1958. He has been
    interested in sound and music from the age of four when he began to play a variety of
    instruments. He studied video, photography, creative writing and dance and then began to
    create taped soundtracks for solo performance art pieces. <br>
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    Most recently, he has concentrated on sound, particularly natural sounds. Hudak's sound
    work focuses on the minimalism and repetition of sounds below the usual threshold of
    hearing, sounds that are filtered out or considered non-musical. These sounds are
    recorded, deconstructed and processed, their rhythms and textures being the basis for
    aural manipulations. Hudak has recorded CD's based on the sounds of underwater insects; on
    the vibrations and static sounds recorded on the bridge; and on his mother's voice on an
    answering machine. </font></p>
    <p align="left"><font face="Arial" size="2">Hudak has done projects for the turbulence
    website, an online gallery of web-based artwork (http://www.turbulence.org), and with
    Steve Bradley, on the manray project (http://www.slack.net/~jhbk). Selected live
    performances include Klangpark sound festival at the Rotterdam Museum of Art, The
    Netherlands, 1995; transmissions 002 sound festival, Carborro, North Carolina, May 1999
    (www.transmit.org); and with Jason Lescalleet, a performance for the release of like
    seeing, and then again not, First Church of Cambridge, Cambridge, MA, January 2000. </font></td>
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