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<title>Kaffe Matthews</title>
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    <td valign="top"><p align="center">&nbsp; <img src="matthews.jpg" align="right"
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    <p align="center"><font face="Arial" size="3"><b>Kaffe Matthews<br>
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    <p align="left"><font face="Arial" size="2">Kaffe Matthews has been making and performing
    new music with digital gadgetry all over the world for the past ten years. From a
    background in violin, shopkeeping, Zoology, drumming, acid house engineering and a masters
    in Music Technology, she is best known for her live sampling performances of events and
    places: processing in installation, on stage, in galleries, clubs, concert halls, tents,
    churches, the outback, warehouses, or ambient tea rooms. The music is vast, sculpted into
    textural landscapes and vibrating granular technorhythms. On stage, she processes sound
    from carefully placed microphones and an occasional violin. Recently she has collaborated
    with Christian Fennesz, mimeo, Charles Hayward, Jon Rose, Pan-sonic, Butch Morris, Andy
    Moor (the EX), The BROOD, Neotropic (Riz Maslem), Hayley Newman, Kingsuk Biswas (Bedouin
    Ascent), artist Mandy McIntosh, Bruce Gilchrist and Joe Joelson. She has just returned
    from wired-up desert experiments with Australian wire music merchant Alan Lamb. She is
    currently working on an oversized sonic armchair for Chelsea and Westminster hospitals'
    exhibition, London. She also introduced and established the course Performance Technology
    to Dartington College of Arts (UK) and is now tutoring some violin and live electronic
    techniques at the Guildhall School of Music and Drama, London. She recently worked as a
    director for Sonic Arts Network and the London Musicians Collective.</font></p>
    <p align="left"><em><font face="Arial" size="2">&#147;With a further stride into more
    noisy rhythms and abstract cyber landscapes, Kaffe's music continues to transport and defy
    rules and regulations around sound and performance. Electronics are Kaffe's instrument,
    she still starts each show with no sound and grabs from what's there. The pieces crackle
    with digital tones and static, fizzing into pounding beats and cut to some hanging still
    space of beauty. She seems to have sourced some kind of wizard abuse of repetition to
    transport all senses. The tabletop violin a rare addition, Kaffe drives a wedge of life
    into that old laptop performance. check out her latest release, cd cecile and
    http://www.stalk.net/annetteworks for where you'll find her next.&#148;</font><br>
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